I’m a Producer/Director with over 20 years’ experience creating premium short-form, long-form and live video content, now based in Sydney after relocating from Liverpool to Australia in August 2026.

HUMAN STORIES

Some of the work I’m proudest of has been built around people rather than events: earning trust, asking the right questions and creating the environment in which contributors can tell their stories properly.

I’ve produced and directed documentaries, short-form features, archive-led pieces and interview-driven items, often working with contributors sharing deeply personal experiences for the first time and handling sensitive subjects and complex relationships.

For almost a decade at Liverpool FC, for example, I provided creative leadership across the club’s video and digital storytelling around Hillsborough, working closely with bereaved families, survivors, senior club leadership and communications teams to help shape documentaries, live memorial broadcasts and emotive online content through one of the most significant periods in the club’s history, including the historic second Hillsborough Inquests of 2014-16.

MAJOR PRODUCTIONS

I’m equally comfortable operating at scale within major international productions. Over my career I’ve worked across some of the world's biggest broadcast productions including men’s and women’s FIFA World Cups, UEFA Champions League, Premier League, European Championships, Olympic Games and Winter Paralympics.

Those environments demand much more than knowledge of sport. They require editorial judgement, collaboration, organisation and the ability to make good decisions inside large, complex productions where deadlines are immovable and audiences can number in the millions.

Whether embedded with contributors, producing for broadcasters, working within host-broadcast operations or creating material on location, I’m used to combining creative storytelling with the practical demands of major productions.

That experience has made me comfortable moving between very different scales of filmmaking — from a one-to-one interview in somebody’s home to an international broadcast operation involving hundreds of people.

LIVE/FAST TURNAROUND

A large part of my career has been spent making content where speed, accuracy and judgement matter.

I’ve produced live programmes, coordinated broadcast output, edit-produced against transmission deadlines and made editorial decisions while programmes are on air. That has taught me how to stay calm, prioritise quickly and maintain quality when there is very little room for error.

My live and fast-turnaround work has included gallery/control-room producing Liverpool FC studio programmes, VT coordinating for flagship BBC productions including Match of the Day and Football Focus, and edit-producing material while programmes are transmitting, either in the edit or alongside an LSM/EVS operator.

I've edited or edit-produced fast-turnaround sports highlights packages for the likes of IMG, DAZN and BBC Sport, where I contributed to the iconic Match of the Day across 15 seasons prior to my departure for Sydney in August 2026.

Those skills transfer well beyond live sport: understanding what matters, identifying the story quickly, communicating clearly with a team and delivering polished work against a hard deadline.